Second in ‘The Seven Sisters’ series of adoption identity mysteries by Lucinda Riley, The Storm Sister is the story of the second oldest d’Aplièse sister, Ally. Very different from the first novel of the series which was set in hot and steamy Brazil, this book encompasses professional yacht racing, classical music and Norway.
Like Maia’s story in The Seven Sisters, Ally’s tale starts with the death of their father Pa Salt. Ally reads his letter and ponders two clues. A small ornamental frog and a book from his library ‘by a man long dead named Jens Halvorsen’ lead her to Norway. This is an ambitious timeline, skipping back 132 years to 1875 and the fascinating story of Jens Halvorsen and Anna Landvik. What follows is a lovely tale of Anna being plucked from her mountain farm to sing the soprano’s part in the premiere of Grieg’s ‘Peer Gynt’, ghost-singing for an actress with an inferior voice. This performance kickstarts Anna’s career, and she settles into a new life in Christiania [modern-day Oslo] and falls in love. Of course, true love never runs smoothly and Anna continues to long for the hills of her homeland rather than the city streets. The Norwegian settings are wonderful and I wanted to stay with Anna’s life, Riley invests so much in this section it almost feels like a book-within-a-book. But The Storm Sister is an adoption mystery about Ally’s parentage, so despite loving the Anna storyline I started to wonder why Riley takes us so far back in time to the nineteenth century and the story of who in terms of age are Ally’s great-great-grandparents. When is she going to tell us about Ally’s parents and her adoption by Pa Salt?
Riley excels at the immersive detail of both sailing and singing. The inclusion of Grieg’s music and the story of Ibsen’s ‘Peer Gynt’ – which offers parallels of Peer with Jens – made me listen to the music. But three quarters of the way through the book, I started to lose interest. That surprised me; I haven’t felt that way with Riley’s other books. The mystery is thinly strung and additional storylines and characters added in the last quarter feel hurried and shoehorned in. I found myself worrying I’d missed something and started flicking back through the pages. It picks up again at the end of Ally’s story, finishing at a pace before the final chapter acts as a preview to the next book, the next sister’s story.
A doorstop of a book, The Storm Sister comes in at 720 pages. Darker than the first of the series, there are love affairs and betrayals, grief, tragedy and the depths of despair and cruelty. Each novel is the standalone story of one sister, but reading them order brings the cumulative benefits of understanding the six sisters who were raised together at Atlantis. Next in the series is The Shadow Sister, the story of Star.
Read my review of The Seven Sisters, first in the series.